30 December 2018 by aphrospi View this post on Instagram “Aphrodite Patoulidou is gifted with an expressive face and has a beautiful voice that can express a wide variety of emotions. She is greatly at home both in parlé chanté and at trips to the high register. ” – Opern- & Konzertkritik Berlin . “Aphrodite Patoulidou impresses in her 45-minute Poulenc solo number as an abandoned woman on the phone especially in flowing “Parlandoton” as well as in violent emotional outbursts.” – Hubert 11 . #thankyou #merci #danke #reviews #agoodyear #lavoixhumaine #poulenc #elle #itcouldbeyou #nemequittepas #hisshirt #underneathyourclothes #soprano #aphrodite #operaisateamsport #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude . Errico Fresis | Musikalische Leitung Frank Hilbrich | Regie Seongji Jang | Bühne Alice Fassina und Maja Svartåker | Kostüme . Es spielt das Symphonieorchester der Universtität der Künste, Berlin. . Produktion: Eine Produktion des Studiengangs Gesang/Musiktheater in Kooperation mit den Studiengängen Bühnenbild und Kostümbild der Universität der Künste Berlin und Symphonieorchester der Universität der Künste Berlin. betont, das Label der Universität der Künste Berlin produziert zusammen mit der Traumton Filmproduktion und dem Studiengang Tonmeister | UdK diese Live-Übertragung. . Excerpt from the world wide live streaming of 7/8/2018. . Credits: Tonübertragung Alexander Lekscha | Tonmischung Lukas Kuth | Aufnahmeleitung Joni Saksala | Tape Operator Ellinor Krämer, Joni Saksala, Jonathan Richter, Jakob Wundrack | Mikroports Jakob Wundrack, Kolja Gütter | Beschallung Bildübertragung Thomas Loos, Markus Austel, Benjamin Lindner | Kamera Johanna Bischof | Bildregie Daniel Richter | TonBildMediator Julian Helms | Bildzuspielung Betreuung Markus Mittermeyer | Projektsteuerung Christian Feldgen | Musikübertragung Prof. Wolfgang Loos | Bildübertragung IT/Streaming Markus Lilge Verleih Camelot Film & Televison Equipment, Berlin | Videotechnik Schalloran Tonstudio Berlin | Tonübertragung A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 30, 2018 at 4:46am PST Advertisements
27 December 2018 by aphrospi View this post on Instagram Looking back at this #goodyear , thank you @athens for being so generous . "The talented, (…) soprano Aphrodite Patoulidou confirmed to the most all the good rumors about her: healthy timbre with great comfort in the high notes, the musicality, the vernacular pronunciation of the German language, the concentration on stage, ideally served a most difficult role, creating… appetite for extremely ambitious bets (eg "Salome")!" #athinorama . "Patoulidou in a role of the highest vocal and hypocritical demands and at the same time, with extremely difficult kinesiology (she sang for long on the ground!) Filled the stage with the emotion and the spasmodic intensity of her voice and with her body language she stressed the despair, the fear, the psychic vibrations of Sophie." @athensvoice . "Immersive interpretation!" @vimagazino . "(..) soprano Aphrodite Patoulidou, who through the certainly more advantageous but also more vocally demanding role of Sophie, which requires superhuman strength, offers generous promises of future impressive evolution in international waters: the (…) multi-talented soprano gives a shocking performance." -totetartokoudouni . "Soprano Aphrodite Patoulidou impressed, as she fully responded to the high demands of her role." @tospirtonet . Photo by Gerasimos Domenikos . #thankyou #ευχαριστώ #sophiescholl #weisserose #greeknationalopera #alternativestage #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude #review #critics #greekpremiere #soprano #aphrodite #zimmermann . Conductor Nicolas Vassiliou Director Themelis Glynatsis Set-Costume designer Alexia Theodoraki Lighting design Stella Kaltsou Video Marios Gabierakis, Chrysoula Korovesi Sophie Scholl Aphrodite Patoulidou Hans Scholl Christos Kechris Antonis Gritsis actor With the participation of Irini-Anastasia Vougiouka With the participation of a 15-member music ensemble A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 27, 2018 at 5:42am PST
26 December 2018 by aphrospi View this post on Instagram Before this beautiful year leaves, a friend found these on the #www #thankyou . #Photos by Leanne Vorrias As #goddessaphrodite on the #worldpremiere of #heradescendsondelos by Thodoris Abazis inspired by Alexandra Dimou with @onepatras on the sacred island of #delos #makeupartist @elizabethpetrou #costumedesign @nopifountoukidou #movement @natashasarantopoulou . #agoodyear #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude #peacefulwarrior #mykonos #hera #aphrodite #unforgettable #onceinalifetime #hospitality #opera #soprano #red #rrred A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 26, 2018 at 1:16am PST
Thank you 20 December 2018 by aphrospi View this post on Instagram "A note that singing the title role of Anne Truelove was Aphrodite Patoulidou, a young Greek soprano, who will also sing the role in Ojai: remember this name and the fact that you can say you discovered her in Ojai" Thomas W. Morris' report 13/12/2018 Photo by @marfek #thankyou #thankyousomuch #californiadreaming #cantwait #ojaifestival #la #therakesprogress #annetruelove #gothenburg #review #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude #greeksoprano A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 20, 2018 at 12:14am PST
Thank you 20 December 2018 by aphrospi View this post on Instagram "-What do you especially look for in the singers? – I'm looking for the "shimmer factor". That word I received from Jackie Reardon, whom I have worked with for ten years. She is a sports psychologist and coach for athletes and business people. We realized that what we both are looking for is something we call the shimmer factor. How do you choose among ten very good sopranoes? There is a kind of glow we are looking for. It does not necessarily have to be an aggressive form of energy. Some people have an energy that is rather inverted. One such is the incredible Aphrodite Patoulidou who will sing Anne Truelove in the Rake's Progress." @hannigan.barbara for Opus magasin, Sweden Photo by @matsbacker #thankyou #thankyousomuch #trust #barbarahannigan #opusmagasin #Backstage #shimmer #therakesprogress #annetruelove #gothenburg #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 20, 2018 at 12:21am PST
Critics 18 December 2018 by aphrospi View this post on Instagram "The Greek young singer Aphrodite Patoulidou is peeking amongst the singers – in that lead role that by the way once was Barbara Hannigan's opera debut" -SVT Nyheter Photo by Mats Bäcker #operaisateamsport #teamwork #thankyou #tacksåmycket #premierecritic #therakesprogress #annetruelove #svtnyheter A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 15, 2018 at 2:25am PST
Critics 18 December 2018 by aphrospi View this post on Instagram #Newspaper #premierecritic #therakesprogress #annetruelove #dagensnyheter #göteborgsymfoniker #barbarahannigan #equilibriumyoungartists #thankyou #tacksåmycket #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude #soprano A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 15, 2018 at 1:17am PST
Critics 18 December 2018 by aphrospi View this post on Instagram "One of the show’s great vocal performance, however, is one of the story’s perhaps more one-dimensional characters: the sacrificing Anne Truelove (Aphrodite Patoulidou) who tired of waiting, heads out to find Tom. Her aria of the inevitable nature of true love belongs to one of the most intense moments of the show." -GöteborgsPost Photo by Mats Bäcker #thankyou #tacksåmycket #premierecritic #therakesprogress #annetruelove #göteborgspost #sweden #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 15, 2018 at 12:43am PST
Critics 14 December 2018 by aphrospi View this post on Instagram “Α charming young and vibrant “Rake’s Progress” performed by the sweetest voices where Aphrodite Patoulidou’s incisive golden lustrous soprano voice makes Anne Truelove the show’s shimmering focus.” – Dagens Nyheter Photo by @matsbacker #thankyou #tacksåmycket #premierecritic #therakesprogress #annetruelove #dagensnyheter #sweden #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 14, 2018 at 1:35am PST
Critics 14 December 2018 by aphrospi View this post on Instagram "Soprano Aphrodite Patoulidou as a rare strong and wonderful Anne Truelove. (…) And when Patoulidou sings the famous scene “No word from Tom” the tears continue to flow – along my cheeks. Because we are with her, inside and out. Up against the highest difficult tone, like a projectile in a dark space of uncertainty. Or away from Tom who left her, hopelessly, and forever ensnared by Nick Shadow." -Expressen, Kultur Photo by @matsbacker #thankyou #tacksåmycket #premierecritic #expressenkultur #newspaper #therakesprogress #annetruelove #liveyourdreamρε #liveyourdream #liveandletlive #gratitudeisthebestattitude A post shared by Aphrodite Patoulídou (@aphrodite_patoulidou) on Dec 14, 2018 at 1:20am PST
